Iranian-American Bestselling Author
Reading Lolita in Tehran and The Republic of Imagination: America in Three Books
Azar Nafisi is best known as the author of the national bestseller Reading Lolita in Tehran: A Memoir in Books, which electrified its readers with a compassionate and often harrowing portrait of the Islamic revolution in Iran and how it affected one university professor and her students. Earning high acclaim and an enthusiastic readership, Reading Lolita in Tehran is an incisive exploration of the transformative powers of fiction in a world of tyranny. The book has spent over 117 weeks on The New York Times bestseller list. Reading Lolita in Tehran has been translated in 32 languages, and has won diverse literary awards, including the Prix du Meilleur Livre Étranger, Non-fiction Book of the Year Award from Booksense, the Frederic W. Ness Book Award, the Latifeh Yarsheter Book Award, the Grand Prix des Lectrices de Elle, and an achievement award from the American Immigration Law Foundation, as well as being a finalist for the PEN/Martha Albrand Award for Memoir. In 2006 she won a Persian Golden Lioness Award for literature, presented by the World Academy of Arts, Literature, and Media. In 2009 Reading Lolita in Tehran was named as one of the “100 Best Books of the Decade” by The Times (London).
Azar Nafisi is currently the director of Cultural Conversations at the Foreign Policy Institute of Johns Hopkins University's School of Advanced International Studies in Washington, DC, where she is a professor of aesthetics, culture, and literature, and teaches courses on the relation between culture and politics. She studied in the US in the 1970s and earned her Ph.D. at University of Oklahoma. She returned to Iran and taught at the University of Tehran, and in 1981, she was expelled for refusing to wear the mandatory Islamic veil and did not resume teaching until 1987. She taught at the Free Islamic University and Allameh Tabatabai, and then held a fellowship at Oxford University, teaching and conducting a series of lectures on culture and the important role of Western literature and culture in Iran after the revolution in 1979. Dr. Nafisi returned to the United States in 1997 — earning national respect and international recognition for advocating on behalf of Iran's intellectuals, youth, and especially young women.
Azar Nafisi conducted workshops in Iran for women students on the relationship between culture and human rights; the material culled from these workshops formed the basis of a new human rights education curriculum. She has lectured and written extensively in English and Persian on the political implications of literature and culture, as well as the human rights of the Iranian women and girls and the important role they play in the process of change for pluralism and an open society in Iran. She has been consulted on issues related to Iran and human rights both by the policy makers and various human rights organizations in the US and elsewhere. She is also involved in the promotion of not just literacy, but of reading books with universal literary value. In 2011, she was awarded the Cristóbal Gabarrón Foundation International Thought and Humanities Award for her “determined and courageous defense of human values in Iran and her efforts to create awareness through literature about the situation women face in Islamic society.” She has been awarded honorary doctorates from Mt. Holyoke College (2012), Seton Hill University (2010), Goucher College (2009), Bard College (2007), and Nazareth College.
Azar Nafisi has written for The New York Times, Washington Post, and The Wall Street Journal. Her cover story, "The Veiled Threat: The Iranian Revolution's Woman Problem" published in The New Republic (February 22, 1999) has been reprinted into several languages. She is the author of Anti-Terra: A Critical Study of Vladimir Nabokov’s Novels. She also wrote the new introduction to the Modern Library Classics edition of Tolstoy’s Hadji Murad, as well as the introduction to Iraj Pezeshkzad’s My Uncle Napoleon, published by Modern Library (April 2006). She has published a children’s book (with illustrator Sophie Benini Pietromarchi) BiBi and the Green Voice (translated into Italian, as BiBi e la voce verde, and Hebrew). Azar Nafisi’s book, Things I've Been Silent About: Memories of a Prodigal Daughter, a memoir about her mother, was published in January 2009. Her next book is entitled The Republic of Imagination: America in Three Books (October 2014), a powerful and passionate case for the vital role of fiction in America today. She lives in Washington, DC.
"Republic is a disarming and provocative defense of the grand themes of literature, particularly as they are found in three very American novels. It's designed as a tonic and inspiration for those concerned about the cultural drift away from literature in particular, and a broad education in the humanities in general, in the age of the Tweet, the YouTube video and the Reddit meme…a blend of memoir and polemic sure to arouse the inner English prof in most readers."— Santa Cruz Sentinel
"Transcends categorization as memoir, literary criticism or social history, though it is superb as all three…. Nafisi has produced an original work on the relationship between life and literature."— Publishers Weekly (starred review)
"I was enthralled and moved by Azar Nafisi’s account of how she defied, and helped others to defy, radical Islam’s war against women. Her memoir contains important and properly complex reflections about the ravages of theocracy, about thoughtfulness, and about the ordeals of freedom—as well as a stirring account of the pleasures and deepening of consciousness that result from an encounter with great literature and with an inspired teacher."— Susan Sontag
"When I first saw Azar Nafisi teach, she was standing in a university classroom in Tehran, holding a bunch of red fake poppies in one hand and a bouquet of daffodils in the other, and asking, "What is kitsch?" Now, mesmerizingly, she reveals the shimmering worlds she created in those classrooms, inside a revolution that was an apogee of kitsch and cruelty. Here, people think for themselves because James and Fitzgerald and Nabokov sing out against authoritarianism and repression. You will be taken inside a culture, and on a journey, that you will never forget."— Jacki Lyden, National Public Radio, author of Daughter of the Queen of Sheba
"Stunning...a literary life raft on Iran’s fundamentalist sea... All readers should read it."— Margaret Atwood
"Remarkable...an eloquent brief on the transformative power of fiction."— The New York Times